A thought provoking road trip through the American South - a world of churches; prisons; coalmines;truckstops; juke joints; swamps; and mountains.




SEARCHING FOR THE WRONG-EYED JESUS is an entertaining and thought-provoking road trip with pensive ‘Alt Country’ singer Jim - along with present-day musical mavericks including the Handsome Family, Johnny Dowd, 16 Horsepower and David Johansen. He takes us through the very real contemporary American South, a gritty terrain of churches, prisons, truckstops, biker bars and coalmines, as he tries to pin down what it is about this baffling place that inspires so many musicians and writers or, as he puts it, ‘trying to find the gold tooth in God’s crooked smile’.
Andrew Douglas began his career as a photographer for the magazine press,publishing, music and advertising industries on both sides of the Atlantic. He was later joined by his younger brother, Stuart, to form The Douglas Brothers. In 1991, they began directing music videos and highly influential television commercials, including the memorable 1996 Adidas Olympics campaign. From 1997, Andrew has directed on his own and has had an unbroken run of major commissions for clients such as Nike, Adidas, Volvo, Coca-Cola, Audi, Ford, Toyota, Apple and Microsoft. He is rated one of the top commercials directors in the world and has been nominated as Best Commercials Director by the Directors Guild ofAmerica. In 2003, Andrew Douglas directed Searching for the Wrong-Eyed Jesus, the award winning, critically acclaimed feature documentary for the BBC’s Arena. Released theatrically in North America, it won the Seattle Film Festival's Jury award for Best Documentary and the Royal Television Society's award for Best Cinematography for Non-Fiction Films. Andrew’s next project, The Amityville Horror (2005), marked his feature directorial debut and was a US and International box office hit. 2014 saw the release of latest feature film, uwantme2killhim?, which won the Best Actor Award at the 2013 Edinburgh International Film Festival.
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